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October 2013 Vol. 2
Issue 5
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Yeh M
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Global
Advanced Research Journal of Arts and Humanities (GARJAH)
October 2013 Vol. 2(5), pp. 084-090
Copyright © 2013 Global Advanced Research Journals
Review
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Transforming the ma-zu
cultural field experience into design form
Mo-Li Yeh
Design College, Hsing Wu University, No. 101, Sec.1,
Fenliao Rd., LinKou District, New Taipei City 24452,
Taiwan
E-mail:
1101moli@gmail.com
Accepted 1 October, 2013
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Abstract |
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This paper discusses how the field investigation
into Taiwan’s traditional Ma-Zu culture was
transformed into a creative design project. The
study begins with a review and analysis of Taiwan’s
Ma-Zu culture and the relevant field experience
process next, it presents the development of a
theoretical framework for transforming this
experience into a creative design. Four phases of
this transformation were delineated into a creative
design: (a) the conceptualization abstract ideas,
(b) the visualization and 2D portrayal of concepts,
(c) 3D portrayal of 2D visual object, and (d) the
application of 3D objects to daily life.
Subsequently, these phases were employed in a design
case. The abstract and religious spirit inherent in
Ma-Zu culture was transformed into a physical,
realistic, and experiential goddess icon incense
burner by internalizing the ritual of the Ma-Zu
pilgrimage and contemplating the relevant field
experience. The field experience encompassed
cultural characteristics that could be used as the
basis for a creative design, thereby forming a
distinct, emotive design as an expression of the
field experience. In addition, cultural features
used could enhance the creative meaning and value of
the design and form a feasible reference model for
contemporary cultural creative designs, and thereby
expanding the aesthetics economy with significant
cultural characteristics.
Keywords:
Ma-Zu culture, field experience, transformation,
cultural creativity, creative design.
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